BSTnyc

Pulitzer prized author, journalist, founder of the Village Voice, filmmaker and tireless button pusher Norman Mailer passed away this Saturday. Although he’s renowned for his countless award winning works, we’ve always known him for his lesser known essay that served as the text for the groundbreaking book, The Faith of Graffiti. It was an oversized masterpiece with photos by Mervyn Kurlansky and Jon Naar detailing the mysterious emerging art form on NYC’s subway trains. The notoriously tough guy author intellectualized the graffiti movement in its early beginnings—’Faith’ was published in 1974—when hand styles were still being developed and most of the letters were very primitive. Mailer was fascinated by the art form, writing, “What a quintessential marriage of cool and style to write your name in giant separate living letters, large as animals, lythe as snakes, mysterious as Arabic and Chinese curls of alphabet.” In honor of the pugilistic legman and the groundbreaking book on graff, we’ve assembled some excerpts and images:

“Slum populations chilled on one side by the bleakness of modern design, and brain-cooked on the other by comic strips and TV ads with zooming letters, even brain-cooked by politicians whose ego is a virtue – I am here to help my nation – brained by the big beautiful numbers on the yard markers on football fields, by the whip of the capital letters in the names of products, and gut-picked by the sound of rock and roll screaming up into the voodoo of the firmament with the shriek of the performer’s insides coiling like neon letters in the blue satanic light, yes, all the excrescence of the highways and the fluorescent wonderlands of every Las Vegas sign frying through the Iowa and New Jersey night, all the stomach-tightening nitty-gritty of trying to learn how to spell was in the writing, every assault on the psyche as the trains came slamming in.” -Norman Mailer